debt & equity financing for the silver screen
about phoenix film finance
Rob Deacon set up Phoenix Film Finance in 2025 to leverage his deep marketing and publicity expertise on the global screen industry by impacting UK independent screen production.
With over 25 years in the UK film industry, spearheading creative, award-winning and insightful publicity campaigns on blockbuster and arthouse theatrical and streaming releases, international top tier festival campaigns, festival press office and event media management.
Phoenix Film Finance is the venture of Rob Deacon to explore and primarily support UK independent film industry production via cash flowing the Independent Film Tax Credit at industry leading ‘filmmaker friendly’ rates.
It will also explore cash flowing VAT for independent UK productions and select equity and Gap financing opportunities.
In this venture Rob Deacon is working in close collaboration with experienced Executive Producer Ian Davies of Initialize Films (formerly Noah Media Group and Boudica Film Fund). Ian has a background of producing, financing and packaging documentary and fiction feature films.
Rob Deacon
With over 25 years in the UK film industry, Rob Deacon spearheaded creative, award-winning and insightful publicity campaigns on blockbuster and arthouse, theatrical and streaming releases, international top tier festival campaigns, festival press offices and event media management. Career campaign highlights include The Artist, Mad Max: Fury Road, TAR, Brokeback Mountain, Boiling Point, The Reader, Babel, Jarhead, Inherent Vice, Little Children, Hotel Rwanda, I’m Still Here, The Filth and the Fury, sex&drugs&rock&roll, Wolfs, The Hobbit trilogy, Man of Steel, Batman v Superman, The Man From U.N.C.L.E, Pixar’s Turning Red and Brave, Studio Ghibli’s The Boy and the Heron and Cannes Film Festival international campaigns for Grand Prix winners Oldboy and Blackkklansman.
Rob also ran LFF and EIFF press offices, operational media management for dozens of Premieres including the Royal Premiere for War Horse, Marvel’s Avengers Assemble Martin Scorsese’s The Aviator and Tom Ford’s A Single Man. Written materials included productions notes for The Damned United as unit publicist and WB-generic material commissions included Fantastic Beasts, War Dogs, Me Before You, Suicide Squad, King Arthur, Live By Night and Sully.
Rob Deacon also recently served as the Interim Head of Communications at BBC Film from August 25 – February 26 during which time BBC Film backed films received 12 BAFTA nominations, 9 Academy Award nominations, 9 wins across 6 films at the BIFAs from an initial haul of 39 nominations, 3 Venice Film Festival Critics Week awards and 1 Toronto International Film Festival award. Closer to home Rob managed a fivefold increase of BBC Film Instagram followers during his tenure and oversaw the UK theatrical roll outs of the diverse slate including the box office successes Pillion, Sentimental Value and The Choral. Rob has also provided his consultant publicity services in the past for UK film public bodies the British Film Institute and the British Film Commission.
phoenix film finance investments
Pale Pink
Director: Kuba Mikurda UK Co-Producers: Caspian Films Genre: Sci-fi Animation
The Game of Chaos
Director/Producer: Ari Matikainen Co-Producers: Kiur Aarma, Ian Davies Synopsis: Ari Matikainen’s feature documentary THE GAME OF CHAOS, about opaque forms of warfare, produced by Finnish doc specialist Kinocompany, Estonian prod co. Traumfabriek, UK’s Initialize Films, and backed by UK film fund Trailblazers, Finnish Film Foundation, Estonian Film Fund and YLE.
7 Miles Out
Director: Carol Morley Producer: Cairo Cannon Synopsis: Carol Morley (Dreams of a Life, The Falling) adapts her moving semi-autobiographical novel, which documents her adolescence in Stockport during the 70s and 80s. Morley’s film follows Ann, who struggles to come to terms with her beloved father’s suicide and finds escapism in the emerging of new-wave punk movement. Featuring a soundtrack that perfectly encapsulates the era, this intimate portrait also serves as an ode to friendship, youth and the discovery of one’s creativity, as Ann grapples with grief and healing while edging towards adulthood.
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